A word about the reenactor Kegsbreath hit with an axe.
Drummers were used in the Revolutionary War as a communications tool. Usually a pubescent boy working alongside the commander, the field drummer relayed signals for troop movement (advance/retreat) based on the cadence he played. The drum was utilized because it could be heard over long distances amid the cacophonous mayhem of battle. Fife players need not apply.
Later, when troops became mounted on horseback, a drummer became impractical and was replaced with a bugler, I presume much to fife players’ chagrin.
Following the disuse (and eventual extinction) of carrier pigeons in favor of “modern” communications (radio, etc.), the “band” (drum, bugle) became obsolete in war, except for entertainment purposes (Special Services).
There were many famous people who served in Special Services. One of the lesser known was my friend Ed Wyrick. Forty years my senior, he was an old school jazz piano player who, asked if he knew some song or another, would reply: “Know it? Hell, I wrote it!”
While stationed in Europe during the so-called War To End All Wars Ed’s roommate was another piano player named Hank. He said they got along well enough. Ed did his thing; Hank did his. They weren’t buddy-buddy. No promises to “keep in touch” were made when they were reassigned; no letters were exchanged after the war.
Time passed and Ed hadn’t given much thought to Hank, until he heard the “Peter Gunn Theme” and learned that Henry Mancini wrote and arranged it. Hank had become a huge success!
“If I’d have known,” Ed told me years later, “I would’ve been nicer to him.”
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