Shall we name the characters in the image?
Bannon clearly on the left.
Black is white, Spicer added, and up is down. The sun rises in the west, he stated, and sets in the east.
Steve, what have you done to your avatar? Thatâs very grim.
OK neglecting to tell of contact with at Russian govât official while a trump campaign associate is being 100% straight with the Senate Committee.
Got it
Hey Sean, can I lie about my income on my tax forms this year?
âWe really donât know what the facts are,â he [Cornyn} said.
Sounds like:
âNobody knows. The hackers could be Russia, China, or a guy sitting on their bed who weighs 400 pounds.â -the occupant of the Oval Office.
Who you gonna believe, Spicey or your lying eyes?
The Republican version of â100 Percent Straightâ:
BREAKING NEWS: An inside source at MI5 has revealed to the BBC that the gentleman in the video is in fact uk_observer. Now it all makes sense.
Yeah, heâs screwed. He has the keys to the White House. His party controls the Senate and House. He has a SCOTUS nominee pending and likely one or two more heâll get to name. His life just plain sucks.
WaitâŚIt doesnât?
If by straight you mean twisted like a corkscrew, then sure.
You have to admire their audacity.
âThatâs right, 100 percent,â Spicer added. âAnd I know itâs true because Betsy taught me everything I know about fractions and percentages.â
So what was Spicee saying about Flynn before they all gave up and Flynn resigned?
Trump will destroy his own party if they donât separate themselves from him.
How anyone believes otherwise is beyond me.
100% Straight-up Lying, that is.
I posted this in another thread⌠repost.
This is sad. It is what we have come to expect form this bunch of corrupt, lying and authoritarian holders of public trust. They all from the top to the bottom are an embarrassment and need to be removed from any office of honor, trust or profit.
Spicey must mean 100% straight up lying. ya know, just like Flynn did.
Grim times.
Itâs the cover of Jackson Browneâs 1986 âLives in the Balance.â A brilliant album cover from the days when cover art mattered. The artist saw a double metaphor in the scaffolding built around the Statue of Liberty for the big restoration effort, one of both Liberty imprisoned and the hope and expectation of Liberty rediscovered and renewed.
Both seemed even more relevant today, with her deep association with immigration lending power and immediacy today that it didnât have at the time.
As do many of the songs.
(As an aside from a son of the Eighties, I donât miss the excessive reliance on keyboards or electric drums, but I do miss all the sax.)